Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Portrait of a sculptor,bust length,set within a stone niche,on the ledge a hammer,chisel and calipers

ID: 27547

unknow artist Portrait of a sculptor,bust length,set within a stone niche,on the ledge a hammer,chisel and calipers
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unknow artist Portrait of a sculptor,bust length,set within a stone niche,on the ledge a hammer,chisel and calipers


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unknow artist

  Related Paintings of unknow artist :. | The Fight between David and Goliath | jonas carl linnerhielm | The Garden of Eden | Arab or Arabic people and life. Orientalism oil paintings 304 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 295 |
Related Artists:
Girolamo di Benvenuto
Siena 1470-ca 1524
Francesco Guarino
(1611-1651 or 1654) was an Italian painter of the Baroque period, active mainly in the mountainous area east of Naples called Irpinia, and in other areas of Campania, Puglia, and Molise. Francesco Guarino, Saint Agnes, 1650.He was born in Sant'Andrea Apostolo, today a frazione of Solofra in the Province of Avellino, Campania, and died in Gravina di Puglia. He was a pupil first locally of his father, Giovanni Tommaso Guarino, then moved to Naples to work in the studio of Massimo Stanzione. In Naples, like many of his contemporaries in Naples, he was influenced by the style of Caravaggio. Among his masterpieces are the works for the Collegiata di San Michele Arcangelo to Solofra.
SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,






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